WEBVTT 00:00.000 --> 00:02.000 The Frances Langford Don Amici Show! 00:02.000 --> 00:06.000 Yes, the former head of the world's famous celebrities, 00:06.000 --> 00:08.000 stars by Don and Fran, 00:08.000 --> 00:10.000 and another visit to television's favorite comic book movie, 00:10.000 --> 00:13.000 Sam and Jerry, at the next door. 00:13.000 --> 00:15.000 Today's guests are the famous dance team, 00:15.000 --> 00:18.000 Richard DeForest George and Chester Morris. 00:18.000 --> 00:21.000 Now, here are Don and Fran. 00:24.000 --> 00:26.000 Nothing nicer than the beginning of a new month, is there? 00:26.000 --> 00:27.000 Just wonderful. 00:27.000 --> 00:29.000 Happy November 2nd, all of you people. 00:29.000 --> 00:31.000 Oh, my goodness, it's a real happy month for all of you, 00:31.000 --> 00:32.000 the whole month through. 00:32.000 --> 00:34.000 I can't think of a better way to start a month off 00:34.000 --> 00:35.000 than with Frances Langford singing a song. 00:35.000 --> 00:36.000 What do you want to sing? 00:36.000 --> 00:38.000 Oh, I think I'll sing, Hi, Neighbor. 00:38.000 --> 00:40.000 Well, isn't that wonderful? Go ahead. 00:42.000 --> 00:45.000 Hi, neighbor, hi, neighbor 00:45.000 --> 00:49.000 What do you know and what do you say? 00:49.000 --> 00:52.000 Hi, neighbor, hi, neighbor 00:52.000 --> 00:55.000 Throw all your worries away 00:55.000 --> 00:59.000 Come on and shake my hand and let it ring to the rest 00:59.000 --> 01:02.000 It makes you feel so grand it gets your chin off your chest 01:02.000 --> 01:06.000 I'll shout, hi, neighbor, hi, neighbor 01:06.000 --> 01:09.000 Time to play and sing high 01:10.000 --> 01:13.000 Hi, neighbor, hi, neighbor 01:13.000 --> 01:17.000 What do you know and what do you say? 01:17.000 --> 01:20.000 Hi, neighbor, hi, neighbor 01:20.000 --> 01:23.000 Throw all your worries away 01:23.000 --> 01:27.000 Come on and shake my hand and let it ring to the rest 01:27.000 --> 01:30.000 It makes you feel so grand it gets your chin off your chest 01:30.000 --> 01:34.000 I'll shout, hi, neighbor, hi, neighbor 01:34.000 --> 01:38.000 Time to play and sing high 01:38.000 --> 01:41.000 Hi, neighbor, hi, hi 01:49.000 --> 01:50.000 Hi, neighbor. 01:50.000 --> 01:52.000 I say, old girl, that was a bit of all right, don't you know? 01:52.000 --> 01:56.000 My, my, but we are full of fun today, aren't we? 01:56.000 --> 01:57.000 Aren't we? 01:57.000 --> 01:58.000 Why do we feel so jittery? 01:58.000 --> 02:02.000 Well, I'll tell you, old girl, I have an egg for breakfast, an egg manju. 02:02.000 --> 02:03.000 An egg? 02:03.000 --> 02:05.000 Yes, Winston's back in, you know. 02:05.000 --> 02:08.000 Well, you know, I think with a little relaxation you might be all right. 02:08.000 --> 02:12.000 And I know just where you can get it. 02:13.000 --> 02:18.000 I think it's time we saw the serious side of Johnny Romano and his guitar. 02:18.000 --> 02:20.000 It's a composition of his own. 02:20.000 --> 02:22.000 Come on, Johnny, thank the devil. 03:50.000 --> 03:51.000 Thank you. 03:58.000 --> 04:01.000 Now here's Donavici to sing that wonderful old ballad, 04:01.000 --> 04:03.000 After the Ball Is Over. 04:07.000 --> 04:13.000 After the ball is over 04:13.000 --> 04:19.000 After the break of dawn 04:20.000 --> 04:27.000 After the dancers leave 04:28.000 --> 04:34.000 After the stars are gone 04:34.000 --> 04:42.000 Many a heart saved 04:43.000 --> 04:48.000 If you could read them all 04:49.000 --> 04:56.000 Many the hopes that have flashed 04:56.000 --> 05:03.000 After the ball is over 05:04.000 --> 05:10.000 Many a heart saved 05:11.000 --> 05:17.000 If you could read them all 05:17.000 --> 05:25.000 Many the hopes that have flashed 05:26.000 --> 05:34.000 After the ball is over 05:42.000 --> 05:43.000 That was very touching, bud. 05:43.000 --> 05:45.000 Maybe a little too touching. 05:45.000 --> 05:47.000 You don't want to be too tender around this show, you know. 05:47.000 --> 05:52.000 Well, what, if you'll pardon the vulgarity, in the very Dickens is this. 05:52.000 --> 05:54.000 Well, you better start to act tough, too, Don. 05:54.000 --> 05:56.000 We're ready to meet our celebrity guest of the day. 05:56.000 --> 05:59.000 Oh, yeah, yeah, yeah, yeah, yeah, yeah, yeah, you're right, Fred. 05:59.000 --> 06:00.000 We got to be real tough with this guy. 06:00.000 --> 06:02.000 That's no problem for me. 06:02.000 --> 06:04.000 Nails, I meet you, they call me. 06:04.000 --> 06:07.000 All right, I'll just see you in Lankford. Stick them up. 06:07.000 --> 06:09.000 Yes, sir. Yes, sir. 06:09.000 --> 06:11.000 Is that all you got to say, Nails? 06:11.000 --> 06:12.000 One false move and I'll get him. 06:12.000 --> 06:13.000 Quiet! 06:13.000 --> 06:16.000 Let's get back to that guest you were talking about. 06:16.000 --> 06:18.000 What kind of a guy is he? 06:18.000 --> 06:21.000 Oh, he's just the nicest guy in the whole world. 06:21.000 --> 06:22.000 That's right. 06:23.000 --> 06:24.000 Uh-huh. 06:24.000 --> 06:25.000 What about his talent? 06:25.000 --> 06:29.000 Well, he's one of the greatest actors on this stage. 06:29.000 --> 06:30.000 One of? 06:30.000 --> 06:33.000 Yeah, he's the greatest. He's even better than Amici. 06:33.000 --> 06:36.000 Oh, go on. 06:36.000 --> 06:38.000 What else, Miss Lankford? 06:38.000 --> 06:41.000 Well, he's made about a hundred pictures, including the Boston Blackie series. 06:41.000 --> 06:45.000 Yeah, and he's a family man, ain't he, Amici? 06:45.000 --> 06:48.000 Yeah, he's the best. A loving husband and a devoted father. 06:48.000 --> 06:51.000 He has three children. His son is a lieutenant in the Air Corps. 06:51.000 --> 06:53.000 Uh-huh. Is he a young fella? 06:53.000 --> 06:55.000 Oh, of course not. He's... 06:55.000 --> 06:56.000 What? 06:56.000 --> 07:00.000 He looks like a young fella, but he's really a grandfather with two grandchildren. 07:00.000 --> 07:03.000 Just a minute, Frances. Two and a half. 07:03.000 --> 07:04.000 It'll be three in January. 07:04.000 --> 07:06.000 Oh, two and a half grandchildren. 07:06.000 --> 07:07.000 That's right. 07:07.000 --> 07:09.000 And his name? 07:09.000 --> 07:11.000 Now, together now. 07:11.000 --> 07:13.000 Chester Morris. 07:13.000 --> 07:14.000 That's it. 07:14.000 --> 07:19.000 Oh, Chester. 07:19.000 --> 07:21.000 Oh, no, no, no. 07:21.000 --> 07:22.000 Get those guns. Get those guns. 07:22.000 --> 07:25.000 You know, I've been looking forward to seeing you, Fran and Don. 07:25.000 --> 07:27.000 I hope you don't mind the way I came up here with these 240. 07:27.000 --> 07:28.000 No, no. 07:28.000 --> 07:30.000 It was fun being held up by Chester Morris. 07:30.000 --> 07:31.000 Yeah. 07:31.000 --> 07:33.000 You know, we're going to give you a chance to use those guns again, Chet, 07:33.000 --> 07:35.000 in this little play that I've written. 07:35.000 --> 07:36.000 Do I have a big part, Don? 07:36.000 --> 07:39.000 Oh, how, how. And if this play is a hit, I think it'll be. 07:39.000 --> 07:41.000 You'll be able to see your name up in bullets on Broadway. 07:41.000 --> 07:43.000 Oh, goody, good. 07:43.000 --> 07:50.000 Okay. 07:50.000 --> 08:01.000 Fran and Don now present a great prison drama entitled, A Great Prison Drama. 08:01.000 --> 08:02.000 Yeah. 08:02.000 --> 08:04.000 Yeah, I'm in prison. 08:04.000 --> 08:06.000 My name is Rocky Morris. 08:06.000 --> 08:09.000 Ten years ago, I was head of the mob. 08:09.000 --> 08:12.000 I had a big towel in the palm of my hand. 08:12.000 --> 08:14.000 Gambling, liquor, nightclubs. 08:14.000 --> 08:17.000 I had the racket sewed up tight. 08:17.000 --> 08:21.000 I was pulling down a cool $45 a week. 08:21.000 --> 08:23.000 Yeah, I was hard. 08:23.000 --> 08:24.000 Men cringed when I frowned. 08:24.000 --> 08:26.000 They laughed when I laughed. 08:26.000 --> 08:27.000 They drank when I drank. 08:27.000 --> 08:30.000 They copied everything I did. 08:30.000 --> 08:33.000 I had to be very careful when I kissed my girl. 08:33.000 --> 08:34.000 I'm Fran. 08:34.000 --> 08:36.000 I was Rocky's mom. 08:36.000 --> 08:38.000 I was out to get rich. 08:38.000 --> 08:39.000 Money, that's what I wanted. 08:39.000 --> 08:41.000 I didn't care how I got it. 08:41.000 --> 08:45.000 So as long as it's dishonest, that's all. 08:45.000 --> 08:46.000 I met the right men for it. 08:46.000 --> 08:50.000 Thieves, gangsters, crooks, scamblers. 08:50.000 --> 08:53.000 Gamblers called me cold deck. 08:53.000 --> 08:54.000 I was bad. 08:54.000 --> 08:56.000 Bad clean through. 08:56.000 --> 08:58.000 Smoked cigarettes. 08:58.000 --> 09:02.000 Had dates with Rocky and stayed out till 10 o'clock. 09:02.000 --> 09:04.000 Started playing pinball machines. 09:04.000 --> 09:05.000 I learned. 09:05.000 --> 09:06.000 I learned. 09:06.000 --> 09:09.000 Learned how to tilt. 09:09.000 --> 09:14.000 Yeah, Francie was a real no good Nick. 09:14.000 --> 09:17.000 And I had a pal, Dono Amici. 09:17.000 --> 09:20.000 Dirty, double crossing, thieving. 09:20.000 --> 09:23.000 In other words, the right guy. 09:23.000 --> 09:26.000 The week after I took Dono into my mob, 09:26.000 --> 09:29.000 he stole my wallet and my new diamond cuff links. 09:29.000 --> 09:32.000 The next evening, he stabbed me in the back. 09:32.000 --> 09:35.000 The next evening, he took my shirt and pants. 09:35.000 --> 09:36.000 Then he squealed to the coppers. 09:36.000 --> 09:38.000 He had me sent to prison. 09:38.000 --> 09:42.000 I began to get the feeling he wasn't trustworthy. 09:42.000 --> 09:46.000 And so Dono took over the rackets while I did a 10 year stretch and stir. 09:46.000 --> 09:51.000 10 long years in a tiny cell, brooding, planning my revenge. 09:51.000 --> 09:55.000 When I got out, there was only one thing that was on my mind. 09:55.000 --> 09:57.000 One thing I had to do first. 09:57.000 --> 10:01.000 Find Dono and get back my pants. 10:01.000 --> 10:05.000 Yes, I had to find Dono. 10:05.000 --> 10:07.000 My name is Dono Amici. 10:07.000 --> 10:11.000 I was Rocky's pal and I squealed and I sent him to prison. 10:11.000 --> 10:13.000 I had a good reason. 10:13.000 --> 10:18.000 The minute I saw his girlfriend, cold deck Francie, 10:18.000 --> 10:20.000 I figured it was my turn to shuffle. 10:20.000 --> 10:27.000 Now I got all the rackets under my control. 10:27.000 --> 10:31.000 No bootlegger dares move a case until I give the sign. 10:31.000 --> 10:35.000 Bank robbers afraid to touch a safe unless I say so. 10:35.000 --> 10:40.000 Dr. Scholl won't even send out a foot pad without my okay. 10:40.000 --> 10:44.000 Yeah, yeah, that's my pal and that's my gal. 10:44.000 --> 10:47.000 But I'm free now and I've got to find out if it's true what the boys wrote me 10:47.000 --> 10:51.000 about Dono taking over with my girl, Francie. 10:51.000 --> 10:54.000 Soon I was outside Dono's door, listening. 10:54.000 --> 10:58.000 I heard, I love you. 10:58.000 --> 10:59.000 I'm mad about you. 10:59.000 --> 11:01.000 I'm only happy when I'm with you. 11:01.000 --> 11:02.000 You're my favorite person. 11:02.000 --> 11:05.000 I love you, love you, love you. 11:05.000 --> 11:10.000 I could tell he was alone. 11:10.000 --> 11:14.000 Quickly I kicked open the door and I stepped inside. 11:14.000 --> 11:17.000 I'm back, Dono. 11:17.000 --> 11:19.000 Yeah, yeah. 11:19.000 --> 11:22.000 Rocky, back from where you sent me, Dono. 11:22.000 --> 11:24.000 You know where. 11:24.000 --> 11:27.000 They took me to the big house and they took away my name. 11:27.000 --> 11:37.000 I became convict number 478932847317091011. 11:37.000 --> 11:40.000 It was printed right across my chest. 11:40.000 --> 11:42.000 But I'm tough now, Dono. 11:42.000 --> 11:45.000 Tougher than when I went away. 11:45.000 --> 11:48.000 And I want a little information about you and Francie. 11:48.000 --> 11:49.000 Francie? 11:49.000 --> 11:50.000 Yeah. 11:50.000 --> 11:57.000 Boy, I kissed her goodbye the night they sent you away 10 years ago. 11:57.000 --> 11:58.000 Open up, Dono, honey. 11:58.000 --> 12:04.000 It's me, Francie, your ever-loving baby doll. 12:04.000 --> 12:07.000 I thought you said you kissed her 10 years ago when I went away. 12:07.000 --> 12:11.000 Well, can I help it if she uses very sticky lipstick? 12:11.000 --> 12:13.000 Coming in, Dono. 12:13.000 --> 12:14.000 Rocky! 12:14.000 --> 12:16.000 Yeah, Rocky. 12:16.000 --> 12:18.000 I'm back from the big house, Francie. 12:18.000 --> 12:22.000 10 long, horrible years in the big house, Francie. 12:22.000 --> 12:26.000 So what's new? 12:26.000 --> 12:28.000 It was very tough on me up there, Francie. 12:28.000 --> 12:30.000 Very tough. 12:30.000 --> 12:32.000 They didn't give you the solitary, did they, Rocky? 12:32.000 --> 12:34.000 Worse than that. 12:34.000 --> 12:38.000 No, not the Chinese water torture. 12:38.000 --> 12:40.000 Worse than that, Francie. 12:40.000 --> 12:42.000 What did they do, Rocky? 12:42.000 --> 12:47.000 They poured 20 gallons of cream over me and locked me in a room with 100 hungry kittens. 12:47.000 --> 12:49.000 Cut it out, Rocky. 12:49.000 --> 12:52.000 The boys all tell me that big house is like a vacation resort now. 12:52.000 --> 12:54.000 Well, somebody's been peddling your information, Dono. 12:54.000 --> 12:55.000 Yeah. 12:55.000 --> 12:58.000 Those prison meals were just terrible. 12:58.000 --> 12:59.000 Yeah. 12:59.000 --> 13:04.000 Shrimp cocktails, sirloin steak, fresh vegetables, baked Alaska. 13:04.000 --> 13:08.000 What's so terrible about shrimp cocktails, sirloin steak, fresh vegetables, and baked Alaska? 13:08.000 --> 13:12.000 Well, they served it with a white wine. 13:12.000 --> 13:15.000 And all the time I was up the river. 13:15.000 --> 13:16.000 You too. 13:16.000 --> 13:18.000 Well, get one thing straight, Rocky. 13:18.000 --> 13:19.000 You can't expect a girl to wait 10 years. 13:19.000 --> 13:21.000 I'm Dono's girl now. 13:21.000 --> 13:22.000 Francie, how could you forget me? 13:22.000 --> 13:24.000 Don't you remember those burning kisses of mine? 13:24.000 --> 13:26.000 I sure do, Rocky. 13:26.000 --> 13:28.000 But after you left, Dono told me about that sneaky trick of yours. 13:28.000 --> 13:29.000 What? 13:29.000 --> 13:32.000 Holding a cigarette lighter under your chin. 13:32.000 --> 13:36.000 I'll show you how sneaky a trick it was. 13:36.000 --> 13:39.000 All right, OK, OK, smart girl, Francie. 13:39.000 --> 13:40.000 Now get your cover now, Rocky. 13:40.000 --> 13:41.000 I got your cover. 13:41.000 --> 13:43.000 Yeah, Dono, we'll see who's got who covered. 13:43.000 --> 13:44.000 OK. 13:44.000 --> 13:45.000 I got to go too. 13:45.000 --> 13:46.000 All right. 13:46.000 --> 13:50.000 Thanks. 13:50.000 --> 14:08.000 Shall we reload and start all over again? 14:08.000 --> 14:12.000 OK, thanks, thanks. 14:12.000 --> 14:15.000 Finally, I'd like to introduce you. 14:15.000 --> 14:17.000 I really do want to present a very kind dance team. 14:17.000 --> 14:20.000 Here they are, Richard and Flora Stewart. 15:48.000 --> 15:54.000 I'm a good dancer, aren't I? 15:54.000 --> 16:00.000 I'm a good dancer, too. 16:00.000 --> 16:06.000 I'm a good dancer, too. 16:06.000 --> 16:12.000 I'm a good dancer, too. 16:12.000 --> 16:20.000 I'm a good dancer, too. 16:20.000 --> 16:28.000 I'm a good dancer, too. 16:28.000 --> 16:36.000 I'm a good dancer, too. 16:36.000 --> 16:54.000 I'm a good dancer, too. 16:54.000 --> 16:57.000 Tomorrow, they were over there. 16:57.000 --> 17:00.000 What a lovely... 16:59.000 --> 17:00.000 Ah, they were wonderful. 17:00.000 --> 17:01.000 A really wonderful lady. 17:01.000 --> 17:02.000 They're coming back, aren't they, again? 17:02.000 --> 17:03.000 Yes, indeed. 17:02.000 --> 17:03.000 They will be back. 17:03.000 --> 17:04.300 Yes, indeed, they will be back. 17:04.300 --> 17:04.800 Do you want another number? 17:04.800 --> 17:05.800 How do you like that Morris? 17:06.300 --> 17:07.800 Oh, I like him. 17:08.900 --> 17:10.800 Got me swinging here in this tough boot. 17:10.800 --> 17:12.000 He's coming back too, by the way. 17:12.400 --> 17:15.100 He does some wonderful magic things. 17:15.100 --> 17:17.900 Oh, he's been just about one of my favorite actress for years. 17:17.900 --> 17:20.700 Come back and do a little favorite stuff. 17:23.200 --> 17:23.900 We'll see you. 17:24.100 --> 17:24.900 Just a little bit. 17:25.600 --> 17:26.300 Stay with us. 17:26.300 --> 17:46.300 I, the things one sees in them. 17:46.300 --> 17:59.900 Sorrow, joy, hate, love, and one day, no, it can't be. 17:59.900 --> 18:12.900 I don't see me in your eyes anymore. 18:16.100 --> 18:22.500 Why can't I make them shine? 18:22.500 --> 18:36.500 As before, I don't see you or your heart in your face. 18:38.900 --> 18:47.900 When you should sigh, that's your mind you'll resent. 18:47.900 --> 18:57.900 There was a time when life was fine, love was ecstasy. 18:57.900 --> 19:05.900 But now I doubt what the outcome will be. 19:05.900 --> 19:14.900 I pray you'll say I'm the one you adore. 19:14.900 --> 19:24.900 That I'll see in your eyes as before. 19:24.900 --> 19:38.900 There was a time when life was fine, love was ecstasy. 19:38.900 --> 19:48.900 But now I doubt what the outcome will be. 19:48.900 --> 19:59.900 I pray you'll say I'm the one you adore. 19:59.900 --> 20:19.900 That I'll see in your eyes as before. 20:29.900 --> 20:42.900 Thank you. 20:42.900 --> 20:44.900 It was an extra special today. 20:44.900 --> 20:45.900 Thank you, Donald. 20:45.900 --> 20:46.900 It really was wonderful. 20:46.900 --> 20:58.900 We told you people the other day that we'd like to have some comments from you every now and then on what you think of our show so that we can get a little closer together. 20:58.900 --> 21:02.900 We'll do what you want to do and we'll be doing what you'd like for us to do. 21:02.900 --> 21:06.900 I got this letter the other day. 21:06.900 --> 21:08.900 This is part of that thing. 21:08.900 --> 21:09.900 I got it. 21:09.900 --> 21:10.900 We got it. 21:10.900 --> 21:12.900 Frances Lank with Donna Meacham Show. 21:12.900 --> 21:18.900 We got this letter the other day after that little girl, Mary Richards, was on. 21:18.900 --> 21:22.900 One who's lost all her folks just very recently. 21:22.900 --> 21:33.900 And I just would like to tell you what kind of an impression this makes on some people, the little things like that that seem to bring people closer together. 21:33.900 --> 21:34.900 I'll read this letter for you. 21:34.900 --> 21:39.900 Dear Miss Lankford and Mr. Meacham, I enjoy your noon TV show very much. 21:39.900 --> 21:41.900 It's a marvelous production for a midday program. 21:41.900 --> 21:48.900 I had the pleasure of seeing Miss Lankford and me off once many years ago, more years ago than I care to remember, when you were just starting on your fabulous career. 21:48.900 --> 21:54.900 I was especially interested in the tragic story of Mary Richards on today's program, which is the point of this letter. 21:54.900 --> 21:59.900 We would love to offer little Mary a home with us for as long as she wishes. 21:59.900 --> 22:04.900 You see, we have no little girls of our own, and according to the doctor, we never will have. 22:04.900 --> 22:13.900 So we would consider it a very great privilege to give a home to Mary and give her the chance of a normal home life again and a new mommy and daddy. 22:13.900 --> 22:17.900 We'd be only too happy to eventually adopt her if she so desired. 22:17.900 --> 22:21.900 We can supply the necessary references and so forth. 22:21.900 --> 22:25.900 We're a couple in our middle thirties and have been married 12 years. 22:25.900 --> 22:30.900 I'll bet Mary would have lots of fun with our dogs and cats and all the other animals on our farm. 22:30.900 --> 22:40.900 We consider it a great favor indeed if you and the kind lady who is now caring for Mary would think over our offer and let us know your decision very sincerely. 22:40.900 --> 22:43.900 Mrs. Joyce Mary Smith. 22:43.900 --> 22:44.900 Can I want a hug? 22:44.900 --> 22:55.900 I almost can't say anything after something like that. 22:55.900 --> 23:07.900 But that's the kind of things that we hope this show keeps on doing for yourselves and ourselves, because something like this just makes you feel good. 23:07.900 --> 23:08.900 Nothing inside. 23:08.900 --> 23:10.900 Yeah, but I get out of this quick. 23:10.900 --> 23:11.900 Get out. 23:11.900 --> 23:12.900 Come on over now, Francis. 23:12.900 --> 23:15.900 I want you to meet a very dear friend of mine. 23:15.900 --> 23:16.900 Come on out here. 23:16.900 --> 23:17.900 Come on. 23:17.900 --> 23:21.900 Francis, this is Miss Irene Hayes. 23:21.900 --> 23:22.900 Irene? 23:22.900 --> 23:31.900 She's a very old friend of mine, and she wanted me to bring you over here and give you a little something. 23:31.900 --> 23:33.900 You're going to give me these things? 23:33.900 --> 23:34.900 A little something. 23:34.900 --> 23:35.900 Isn't it, Ma? 23:35.900 --> 23:36.900 This is beautiful. 23:36.900 --> 23:37.900 A little something. 23:37.900 --> 23:38.900 Just look at this thing, will you? 23:38.900 --> 23:46.900 You know, it's National Flower Week, and the Society Florist of America asked me to present this to you. 23:46.900 --> 23:54.900 Of course, I'm awfully happy they asked me, because there are a lot of people they could have asked, and it's a great honor and privilege to have you have that. 23:54.900 --> 23:56.900 Oh, Irene, thank you so much. 23:56.900 --> 23:57.900 Isn't this beautiful? 23:57.900 --> 23:58.900 Isn't that beautiful? 23:58.900 --> 24:00.900 I just wish you could see the colors that we have here. 24:00.900 --> 24:02.900 Describe it, would you please, a little bit between the two of you? 24:02.900 --> 24:08.900 I imagine you can tell here the most beautiful color of orchid that I have seen in a long time. 24:08.900 --> 24:09.900 What is this now? 24:09.900 --> 24:10.900 That cube. 24:10.900 --> 24:11.900 Oh, how about this? 24:11.900 --> 24:13.900 Now, I'd love to go someplace and try this. 24:13.900 --> 24:14.900 Isn't that lovely? 24:14.900 --> 24:16.900 Gee, that covers up a lot of things. 24:16.900 --> 24:18.900 This is so pretty, honestly. 24:18.900 --> 24:21.900 Don't say you covered those up after I made that lovely thing about eyes. 24:21.900 --> 24:22.900 Now, don't do that. 24:22.900 --> 24:23.900 You can't cover up eyes. 24:23.900 --> 24:26.900 I don't see you in my eye anymore. 24:26.900 --> 24:28.900 This is really beautiful, Irene. 24:28.900 --> 24:32.900 These are yellow roses, and what are these here? 24:32.900 --> 24:34.900 Those are chrysanthemum. 24:34.900 --> 24:35.900 White chrysanthemum. 24:35.900 --> 24:36.900 Oh, just beautiful. 24:36.900 --> 24:43.900 You know, Irene, all these flowers now, I'll tell you what I would like to do with them, 24:43.900 --> 24:48.900 if it's all right with you, to send them to the St. Albans Hospital after today. 24:48.900 --> 24:49.900 Would you mind? 24:49.900 --> 24:50.900 Oh, I'd love to. 24:50.900 --> 24:52.900 I think it would be a wonderful gesture. 24:52.900 --> 24:56.900 I know the boys out there, if they're looking in, just wait for us, fellas. 24:56.900 --> 24:59.900 Maybe we'll bring them out ourselves if we get a chance. 24:59.900 --> 25:01.900 We'd just love that, and take Tony and let him sing. 25:01.900 --> 25:06.900 I would like to, Frances, may I interrupt for just one very small moment here? 25:06.900 --> 25:09.900 As Miss Hayes told you, this is National Flower Week, 25:09.900 --> 25:13.900 and I think it's a lovely kind of thing to do. 25:13.900 --> 25:16.900 I think flowers are so beautiful themselves anyway. 25:16.900 --> 25:20.900 And Irene has a magnificent place over here. 25:20.900 --> 25:22.900 She makes up all these things here. 25:22.900 --> 25:23.900 Now, Irene. 25:23.900 --> 25:24.900 This is the sound from the forest. 25:24.900 --> 25:28.900 Irene, there's just one thing that's disturbing me a little bit. 25:28.900 --> 25:30.900 Why should you bring all this in for Frances, 25:30.900 --> 25:33.900 and I come up with a great big basket full of nothing? 25:33.900 --> 25:34.900 Isn't that good? 25:34.900 --> 25:35.900 Oh, I'm glad. 25:35.900 --> 25:36.900 You got a what? 25:36.900 --> 25:38.900 Now, here's something. 25:38.900 --> 25:39.900 Oh, how about this? 25:39.900 --> 25:42.900 For you to really go out there tonight. 25:42.900 --> 25:45.900 Oh, now we can go places. 25:45.900 --> 25:47.900 This is for me. 25:47.900 --> 25:51.900 Now, would you tell us exactly what that is, Irene, please? 25:51.900 --> 25:53.900 Doesn't he look like a filly lulu? 25:53.900 --> 25:54.900 Tony just called over. 25:54.900 --> 25:56.900 He wants to know if this is a pizza. 25:56.900 --> 25:57.900 Is this a pizza? 25:57.900 --> 25:59.900 No, you really wouldn't want to cook that up. 25:59.900 --> 26:02.900 Bird of Paradise and what is this? 26:02.900 --> 26:04.900 You don't mind if I take this off now, do you, Irene? 26:04.900 --> 26:05.900 I love it. 26:05.900 --> 26:06.900 I want you to wear it tonight. 26:06.900 --> 26:07.900 I shall. 26:07.900 --> 26:08.900 I shall. 26:08.900 --> 26:09.900 Believe me, I shall wear it. 26:09.900 --> 26:10.900 And be sure you speak of all the lovely flowers. 26:10.900 --> 26:12.900 Irene, I will do that. 26:12.900 --> 26:13.900 George, where are you? 26:13.900 --> 26:14.900 And I'm in Hayes with the flowers. 26:14.900 --> 26:15.900 George. 26:15.900 --> 26:16.900 We'll wear it to the horse show. 26:16.900 --> 26:17.900 Thank you very much. 26:17.900 --> 26:18.900 Thank you. 26:18.900 --> 26:19.900 Irene. 26:19.900 --> 26:21.900 Yes, there's something I want to ask you, Irene. 26:21.900 --> 26:26.900 I am so fond of flowers, but I always have a little trouble arranging flowers. 26:26.900 --> 26:30.900 I always think that you have to have it done by a florist, but so many people have the 26:30.900 --> 26:31.900 knack of doing it. 26:31.900 --> 26:33.900 Could you show me a little something about it? 26:33.900 --> 26:35.900 Well, I'm going to show you something. 26:35.900 --> 26:39.900 I'm all prepared for you, and I'm going to do this rather simply. 26:39.900 --> 26:48.900 But you know, I'm using a pin holder here, which is very useful. 26:48.900 --> 26:51.900 Everybody has them, but I know everybody seems to have trouble. 26:51.900 --> 26:56.900 These are the complaints that we florists here, all over the country, of how to get 26:56.900 --> 26:58.900 them to stay in the pin holder. 26:58.900 --> 27:02.900 And I thought it would be rather smart to show you this particular thing. 27:02.900 --> 27:04.900 And attach, say, three at a time. 27:04.900 --> 27:06.900 Now we're getting somewhere. 27:06.900 --> 27:12.900 And it won't be quite so difficult to make them stay. 27:12.900 --> 27:15.900 And then we take some more. 27:15.900 --> 27:17.900 You see how wonderful that is? 27:17.900 --> 27:20.900 It makes it much simpler. 27:20.900 --> 27:24.900 We have to do a little cutting here. 27:24.900 --> 27:30.900 And I think that you'll enjoy knowing this. 27:30.900 --> 27:36.900 Now, here, you see, you arrange them three at a time and get them in at that angle. 27:36.900 --> 27:45.900 And I thought that if you were able to realize that the vital point is to keep them all together 27:45.900 --> 27:49.900 that way, and this, because I figure you're going to put this on your dinner table. 27:49.900 --> 27:52.900 Irene, while you're doing this, may I just ask something? 27:52.900 --> 27:54.900 Who buys the most flowers, men or women? 27:54.900 --> 28:01.900 Well, I would say that the women buy flowers for their home, but that the men really do it 28:01.900 --> 28:06.900 for sentimental reasons, and they do it for obligations. 28:06.900 --> 28:11.900 And you know, today, it's simply marvelous the way if you go into receptions in buildings, 28:11.900 --> 28:14.900 they've done it on their office desks. 28:14.900 --> 28:17.900 And I think it must sell them a lot of business. 28:17.900 --> 28:20.900 What are some of the most popular flowers that you sell? 28:20.900 --> 28:22.900 What is the most popular flower in fact? 28:22.900 --> 28:24.900 Well, roses come first. 28:24.900 --> 28:25.900 Do they? 28:25.900 --> 28:26.900 They do with me too. 28:26.900 --> 28:27.900 Do you have those happiness roses? 28:27.900 --> 28:28.900 Oh, aren't they lovely? 28:28.900 --> 28:30.900 Oh, they're beautiful. 28:30.900 --> 28:35.900 You know, you see, I'm doing this so really easy, and I expect you to do this every day. 28:35.900 --> 28:37.900 Irene, you just go on. 28:37.900 --> 28:38.900 I'll keep on finishing. 28:38.900 --> 28:42.900 I just want to say thanks so very much for coming over. 28:42.900 --> 28:43.900 But don't stop this. 28:43.900 --> 28:45.900 You should learn how to do this. 28:45.900 --> 28:48.900 And you finish it up for me, because I want to see the finished thing. 28:48.900 --> 28:51.900 And Irene, I'm so grateful to you for coming. 28:51.900 --> 28:52.900 I'm real thrilled. 28:52.900 --> 28:53.900 I'll tell you what to do. 28:53.900 --> 28:54.900 I'll give you a number. 28:54.900 --> 28:57.900 You'll give me the next number? 28:57.900 --> 28:58.900 All right. 28:58.900 --> 29:00.900 Thanks so very much. 29:00.900 --> 29:03.900 Now, here's our fine orchestra leader. 29:03.900 --> 29:05.900 I want you to listen to this, Irene. 29:05.900 --> 29:14.900 Tony Romano over here is going to sing a wonderful tune of his own, Mary, Mary. 29:14.900 --> 29:17.900 Margaret Hayden. 29:17.900 --> 29:23.900 Yeah, my wife. 29:23.900 --> 29:32.900 Mary, Mary, quite contrary to all you've been hearing. 29:32.900 --> 29:37.900 I love you. 29:37.900 --> 29:46.900 Mary, my little Mary, quite contrary to all you've been fearing. 29:46.900 --> 29:50.900 It's not true. 29:50.900 --> 29:54.900 People always talk a lot. 29:54.900 --> 29:57.900 House talking is free. 29:57.900 --> 30:03.900 Whatever you mind, whatever they say, you just have to see. 30:03.900 --> 30:12.900 Oh, Mary, Mary, quite contrary to all you've been hearing. 30:12.900 --> 30:17.900 I love you. 30:17.900 --> 30:26.900 Mary, Mary, quite contrary to all you've been doubting. 30:26.900 --> 30:29.900 It's a lie. 30:29.900 --> 30:39.900 Oh, Mary, Mary, quite contrary to all you've been counting. 30:39.900 --> 30:43.900 It wasn't I. 30:43.900 --> 30:51.900 Just because you saw a girl out dancing with me, that was no girl. 30:51.900 --> 30:56.900 It happened to be my sister, Rosemary. 30:56.900 --> 31:05.900 So, Mary, Mary, quite contrary to all you've been hearing. 31:05.900 --> 31:19.900 Don't feel blue, because you know I care for only you. 31:19.900 --> 31:24.900 And now Fran and Don carry on for Richard Hudnut, makers of scientific hair preparations. 31:24.900 --> 31:28.900 Richard Hudnut, home permanent. Fran? 31:28.900 --> 31:34.900 The very best of home permanence gives you a way you can set and forget, even on rainy days. 31:34.900 --> 31:38.900 And Richard Hudnut, cream rinse. Don? 31:38.900 --> 31:44.900 Yeah, not only looks better, it is better when you use Richard Hudnut cream rinse. 31:44.900 --> 31:48.900 Richard Hudnut, home permanent, and Richard Hudnut cream rinse. 31:48.900 --> 31:52.900 Both from the famous Richard Hudnut Fifth Avenue beauty salon. 31:52.900 --> 31:55.900 Now Betty Underwood for Richard Hudnut. 31:55.900 --> 31:58.900 Thank you, Fran. And hello, everyone. 31:58.900 --> 32:01.900 Here is a Richard Hudnut home permanent. 32:01.900 --> 32:04.900 Do you know what's special about this home permanent? 32:04.900 --> 32:10.900 Well, I'll tell you. It gives you a way you can set and forget, even on rainy days. 32:10.900 --> 32:11.900 And here's why. 32:11.900 --> 32:16.900 In every Richard Hudnut home permanent, there's an envelope that contains a special ingredient. 32:16.900 --> 32:18.900 Neutralizer booster. 32:18.900 --> 32:21.900 It's neutralizer booster that weatherproofs your waves. 32:21.900 --> 32:24.900 Gives you naturally carefree curls. 32:24.900 --> 32:28.900 Only Richard Hudnut home permanent has this weatherproofing ingredient. 32:28.900 --> 32:37.900 So not only do you get pretty curls that look soft and natural, but those curls stay in, no matter what the weather. 32:37.900 --> 32:47.900 When the rain comes down, your hair stays up, just as if it were naturally curly. 32:47.900 --> 32:49.900 Try a Richard Hudnut permanent. 32:49.900 --> 32:57.900 For a wave that looks so natural, acts so natural, you can set it and forget it, even on rainy days. 32:57.900 --> 33:03.900 As my friend Walter Winchell says, it's the very best of the home permanents. 33:03.900 --> 33:08.900 And now, once more, we'd like to present the dance Artistry. 33:08.900 --> 33:12.900 I really mean Artistry of Richard and Flora Stewart. 33:12.900 --> 33:41.900 ♪♪ 33:41.900 --> 33:51.900 ♪♪ 33:51.900 --> 34:13.900 ♪♪ 34:13.900 --> 34:27.900 ♪♪ 34:27.900 --> 34:56.900 ♪♪ 34:56.900 --> 35:06.900 ♪♪ 35:06.900 --> 35:33.900 ♪♪ 35:33.900 --> 35:48.900 ♪♪ 35:48.900 --> 36:13.900 ♪♪ 36:13.900 --> 36:23.900 ♪♪ 36:23.900 --> 36:43.900 ♪♪ 36:43.900 --> 37:03.900 ♪♪ 37:03.900 --> 37:23.900 ♪♪ 37:23.900 --> 37:43.900 ♪♪ 37:43.900 --> 38:03.900 ♪♪ 38:03.900 --> 38:23.900 ♪♪ 38:23.900 --> 38:43.900 ♪♪ 38:43.900 --> 39:03.900 ♪♪ 39:03.900 --> 39:23.900 ♪♪ 39:23.900 --> 39:43.900 ♪♪ 39:43.900 --> 39:53.900 I did it! 39:53.900 --> 40:01.900 By the way, of course, I never really... 40:01.900 --> 40:03.900 Come on back. Please, Ted, would you please? 40:03.900 --> 40:06.900 I'm so glad to have you here. 40:06.900 --> 40:08.900 My goodness, you're a sweet guy. 40:08.900 --> 40:10.900 Can you tell me how to do that trick? 40:10.900 --> 40:12.900 Yes, I can tell you how to do that trick. 40:12.900 --> 40:13.900 That's a very simple thing. 40:13.900 --> 40:14.900 But right now... 40:14.900 --> 40:15.900 Yeah? 40:15.900 --> 40:18.900 Let's go back to Betty Underwood for Richard Hudnett. 40:18.900 --> 40:22.900 Hi. Have you ever used Richard Hudnett cream rinse? 40:22.900 --> 40:25.900 Well, until you do, you just can't know what wonderful things 40:25.900 --> 40:27.900 this cream rinse does for your hair. 40:27.900 --> 40:30.900 You know the way a plant absorbs the sunshine 40:30.900 --> 40:32.900 and gets wonderful benefits from it? 40:32.900 --> 40:34.900 Well, when you use Richard Hudnett cream rinse, 40:34.900 --> 40:37.900 after your home permanent and after every shampoo, 40:37.900 --> 40:39.900 your hair absorbs cream rinse, 40:39.900 --> 40:42.900 absorbs all kinds of wonderful benefits from it. 40:42.900 --> 40:46.900 Richard Hudnett cream rinse actually penetrates the hair shaft. 40:46.900 --> 40:48.900 And let me show you the results. 40:48.900 --> 40:54.900 Your hair is softer, more manageable, and how it gleams. 40:54.900 --> 40:57.900 Because Richard Hudnett cream rinse polishes hair 40:57.900 --> 41:00.900 to a lively, natural gloss. 41:00.900 --> 41:02.900 Leaves hair delightfully fragrant, too. 41:02.900 --> 41:04.900 Doesn't her hair look lovely? 41:04.900 --> 41:07.900 And it not only looks better, it is better. 41:07.900 --> 41:11.900 Yours will be, too, when you use Richard Hudnett cream rinse. 41:11.900 --> 41:14.900 It's the original cream rinse, no other like it. 41:14.900 --> 41:17.900 It's not a color rinse, it's a conditioning rinse. 41:17.900 --> 41:20.900 After every shampoo and every home permanent, 41:20.900 --> 41:22.900 use Richard Hudnett cream rinse. 41:22.900 --> 41:27.900 It conditions your hair to health and gleaming beauty. 41:27.900 --> 41:31.900 Mmm, that Hudnett cream rinse certainly does wonderful things 41:31.900 --> 41:34.900 for a girl's hair. I know. 41:34.900 --> 41:38.900 And now, Don singing that gay and wonderful number, 41:38.900 --> 41:40.900 Down Argentine Way. 41:40.900 --> 41:46.900 ♪ 41:46.900 --> 41:52.900 You'll find your life will begin 41:52.900 --> 41:56.900 the very moment you're in Argentina. 41:56.900 --> 42:02.900 If you're a romantic senor, then you'll surely adore Argentina. 42:02.900 --> 42:04.900 You'll be as gay as can be. 42:04.900 --> 42:08.900 You will learn to see scenes like you've had a dream. 42:08.900 --> 42:14.900 For Mr. Silver, you'll learn that you will never return to Manhattan. 42:14.900 --> 42:20.900 When you hear the payamo, you'll see the kiss of death. 42:20.900 --> 42:24.900 If she should say mañana, 42:24.900 --> 42:29.900 it's just to let you know you're gonna meet again. 42:29.900 --> 42:39.900 I'll bet that old castamante you will never forget Argentina. 42:39.900 --> 42:43.900 Where there are rumbas and tangos to tickle your spine, 42:43.900 --> 42:46.900 moonlight and music and oranges and wine, 42:46.900 --> 42:51.900 you want to stay down Argentina way. 42:51.900 --> 42:58.900 When you hear the payamo, you'll see the kiss of death. 42:58.900 --> 43:02.900 If she should say mañana, 43:02.900 --> 43:07.900 it's just to let you know you're gonna meet again. 43:07.900 --> 43:16.900 I'll bet that old castamante you will never forget Argentina. 43:16.900 --> 43:21.900 Where there are rumbas and tangos to tickle your spine, 43:21.900 --> 43:24.900 moonlight and music and oranges and wine, 43:24.900 --> 43:31.900 you want to stay down Argentina way. 43:31.900 --> 43:34.900 And Argentina way. 43:34.900 --> 43:39.900 And Argentina way. 43:39.900 --> 43:44.900 And Argentina way. 43:44.900 --> 43:49.900 And Argentina way. 43:49.900 --> 43:54.900 And Argentina way. 43:54.900 --> 43:55.900 Aye! 43:55.900 --> 43:58.900 Ha, ha, ha, ha, ha! 43:58.900 --> 44:02.900 Say,어도 좀 그냥 있는 것만 아니야? 44:02.900 --> 44:06.900 You can make me a flower municently? 44:06.900 --> 44:13.900 Bitch 44:13.900 --> 44:17.180 Well, I'll tell you something, the ticking you heard with the buttons popping off my vest. 44:17.180 --> 44:18.180 Oh, well. 44:18.180 --> 44:19.180 I'm real proud. 44:19.180 --> 44:20.900 I'm real proud of all those letters. 44:20.900 --> 44:24.420 Well, we'll see you next week, we hope. 44:24.420 --> 44:26.380 Thanks so much for being with us. 44:26.380 --> 44:27.740 See you. 44:27.740 --> 44:34.660 Don't forget Richard Hutton at Home Permanent and Richard Hutton at Cream Rinse, both from 44:34.660 --> 44:37.660 the famous Richard Hutton Fifth Avenue Beauty Salon. 44:37.660 --> 44:40.260 Ask for them at your drug or department store. 44:40.260 --> 44:47.260 Richard Hutton has presented the Frances Lankford Donavici Show. 45:10.260 --> 45:31.340 Be sure to look in again Monday, friends, when we'll have another fashion show with 45:31.340 --> 45:37.540 Goldeck-Castini and Raymond Massey, Dorothy Keller, and Valentina Latimer will be the 45:37.540 --> 45:59.460 judges.